Kimberlee Alemian
Light & Process
-
alemian apothecary blue and orange 30x40 ol
-
alemian pitcherpeache s22x28 oc 2600 72x1200
-
alemian ageanlight oc 30x24 2012
-
alemian confrontationpinkorange20 ol 20x16in 300x7
-
alemian crabapplearrangement 2020 oil 12x12in
-
alemian daylilies oc 30x30
-
alemian rhododendron 2019 oil 16x20in 3475
-
alemian sunflowers2021 oil 36x36in 300x6
-
alemian sunstreamredtulips 30x40in 2020
-
forsythia2020 ol 36x36infnl
-
fruitbowl lilies krug oil 36x48in
-
tulips ltbluevessel oil 30x24in 8115
-
light shaft with blue cloth director s chair
-
harmonies in lightshape oc 9x12 0087
Apothecary - Blue & Orange (o/l)
30 x 40 x 1.5in
$5,400
Pitcher and Peaches o/c - 22 x 28 x 1.5 in
$4,000
Agean Light
o/c, 30 x 24 x 1.5 in
$4,600
Confrontation (oil/canvas)
14 x 11 x 1.5 in
$1,400
Crabapple Bloom
(oil/canvas) 12 x 12 x 1.5in
$1,400
Daylilies (oil/canvas)
30 x 30 x 1.5 in
$5,200
Rhododendron (oil/canvas)
16 x 20 x 1.5in
$2,200
Sunflowers, 2020 (oil/canvas)
36 x 36 x 1.5in
$5,600
Sunstream & Red Tulips (oil/canvas)
30 x 40 x 1.5in
$5,400
Forsythia 2020 (o/l)
36 x 36 x 1.5in
$5,600
Fruit Bowl, Lilies, Krug (o/c)
36 x 48 x 1.5in
$5,800
Tulips & Light Blue Vessel (o/c)
30 x 24 x 1.5in
$4,600
Artist’s Statement - STILL LIFE
In my studio are southwest facing windows. The light streams in at varying angles during the course of the year and I am mesmerized by the way it transforms whatever it hits to make it exceptional. The objects and space change each minute the level of light moves across the plane. I find myself intensely observing and absorbing the changes as if I were watching a movie. At times, all I can do is stand in intense study and watch the light work its magic—all of the sudden hours have passed.
In my process, I am struck by a particular subject—Light and the way it affects objects, Light as it hits a sur- face and moves across it, the color of Light. I study the motif through drawings and paintings to see where it leads. Working in series helps me explore subtle elements in the composition. I am constantly questioning what I am seeing and doing. The work develops through reworking, redrawing, turning the substrate I am working on and imposing images on top, scraping, sanding, adding and subtracting media. Through this process, they reveal a history of the workings, as in a palimpsest. I try not to hold anything precious.
Artist Bio
Kim Alemian was born in Spokane, WA. Her formative years were spent in Hong Kong, Thailand, West Germany and Scituate, MA. She currently lives with her husband in Cohasset, MA.
Alemian’s oil paintings are represented by The Cove Gallery—Wellfleet, MA, Edgewater Gallery—MIiddlebury, VT and Boston, MA and Gardner Colby Gallery—Naples, FL. Her work has been shown both nationally and in- ternationally including the Netherlands and Israel and is collected both privately and in corporate settings. She was featured in the publication “100 Boston Painters” by Chawky Frenn, Schiffer Publishing. Her work has been reviewed in printed publications and online.
She has a BFA in Painting from Massachusetts College of Art and an MFA from the College of Fine Arts, School of Visual Arts at Boston University with Post Graduate studies at New York Studio School of Drawing, Painting and Sculpture.
Alemian works as an artist and also at South Shore Art Center as Graphic Designer/Webmaster/ Artistic Curator. She has curated numerous exhibitions nationally and produced catalogues documenting the occasions.